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Author: Carol Mavor. It touched something deep in me about what it is to be a creative man. Codell, Biography.

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Despite its sub-title, and the author's claim in the final chapter that he has tried to untangle "the secret history of Wonderland," there are no secrets in this book Rather, Robert Douglas-Fairhurst has collected and curated a mass of material and ideas familiar in the extensive commentary on Lewis Carroll and his writing, added some fresh but by no means secret matter, and used it to tell three stories. The first is a biography of Carroll.

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Living in the twenty-first century, we have witnessed how rapidly and dramatically culture can change, from ways of communicating to the emergence of same-sex marriage. Similarly, many of us live in culturally diverse settings and experience how varied human cultural inventions can be. We readily accept that clothing, language, and music are cultural—invented, created, and alterable—but often find it difficult to accept that gender and sexuality are not natural but deeply embedded in and shaped by culture.

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Austen's Juvenilia, seen as a whole, represents a world in which young women consistently display excessive appetites--for food, drink, erotic pleasures, and material objects. While comic, such narrative excess also constitutes a pointed critique of the constraints Austen's society placed on women, constraints she not only exposes but also subverts by her young heroines' exuberant, even criminal refusal to deny their appetites and their demand for gratifications of all kinds. She laughs at all of it: the advice from conduct books, philosophical tracts, sermons, and medical manuals; at the idea that women's sexuality should be closely guarded; that private pleasures should be controlled; that gender should dictate behavior; and that any conceivable appetite—sexual, criminal, alimentary, and liquid—should be governed.

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Here's how to inoculate ourselves against negative ones. Verified by Psychology Today. Evil Deeds.

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Not in United States? Choose your country's store to see books available for purchase. Reading these settings performatively, Carol Mavor shifts the focus toward the subjectivity of these girls and women, and toward herself as a writer.

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View Larger Image. Ask Seller a Question. Title: Pleasures taken : performances of sexuality

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Reading these settings performatively, Carol Mavor shifts the focus toward the subjectivity of these girls and women, and toward herself as a writer. Finally she shows how Hannah Cullwick, posing in various masquerades for her secret paramour, emerges as a subject with desires rather than simply a victim of her upper-class partner. Even when confronting the darker areas of these photographs, Mavor perseveres in her insistence on the pleasures taken—by the viewer, the photographer, and often by the model herself—in the act of imagining these sexualities.

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