This is one of those bracing, uncompromising New York February days, when the icy wind bites between the weave of your clothes; the chill a presage of the snowstorm that will, in fact, hit the city the following day. In such conditions, the actress Emily Mortimer is a real trooper, posing on a balcony of the Chelsea Hotel in an inadequate, if cute, fluffy coat, so that our photographer can capture her in front of the iconic establishment's neon sign. There isn't a hint of complaint or impatience.
In Hell came home and invaded the body of a young girl. This is the story of a movie and its makers. It's a tale of dark and light, of loss and love. A story of faith and fury, of causes and curses, of horrors real and imagined, of unbridled ego and brute force filmmaking.
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